The Holdovers

UK Release Date: 19 January 2024

Certification: 15

Director: Alexander Payne

Cast: Paul Giamatti, Da'Vine Joy Randolph, Dominic Sessa

Rating: 81%

Review:

Alexander Payne's, The Holdovers is a refreshing piece of cinema. The phrase 'they don't make films like this anymore' is often thrown around but it has never felt more warranted. A clear homage to film of the 70s whilst also tapping into John Hughes' filmography of teenage self-discovery that came merely a decade later. 

The Holdovers is fairly grounded plot wise. A teacher at a New England boarding school is tasked with caring for the children who remain at the school over the holidays. Although, what the film lacks in sprawling storytelling it more than makes up for in rich thematic ideals. Presenting the audience with three characters dealing with grief in a variety of ways and exploring the detrimental impact that lingering feeling has on their personas and perspective of life. The anger, guilt and depression that accompanies grief and how it tears you apart from the inside. These people feel alone, isolated, outcast from the world. Taking out their anger on each other when in reality they are eternally linked - people struggling to deal with their problems and acting in a way that society perceives as abnormal. 

This depressive undertone can only be accomplished with the central cast members working in tandem. It is Paul Giamatti and Da'Vine Joy Randolph that are receiving all of the plaudits during awards season - and rightfully so - but for me, debutant, Dominic Sessa shone above the rest. Astonishingly relatable as emotionally and mentally struggling student, Angus Tully. Pitifully alone with a burning hatred for the world around him. Unwithering resentment towards anyone who crosses his path. Yet, there's unexplained outbursts of kindness. And they are portrayed without definitive reasoning as to why because, at heart, he is a good person. 

Still, despite the mature messaging, The Holdovers is a charming and tender festive watch designed for the holidays. Digital frames with the pristine untouched white snow of a bitter Massachusetts. Contrasted with the warmth of the New England fireplaces and warm cocoa. Whilst the film is wholly unique, especially in the current catalogue of film, that Christmas feeling is universal and it translates onto the screen with instinctive ease.