Priscilla

UK Release Date: 01 January 2024
Certification: 15
Director: Sofia Coppola
Cast: Ari Cohen, Dagmara Domińczyk, Jacob Elordi, Lynne Griffin, Tim Post, Cailee Spaeny

Rating: 77%

Review:

Sofia Coppola's answer to Baz Luhrmann's Elvis - there's a world where both can coexist as they give a unique account of the time period. A more intimate and private exploration of character. Priscilla is an authentic and meaningful narrative ultimately detailing the dangers of grooming for young girls around the world. 

Caught up in the whirlwind of excitement and attention, Priscilla's lifestyle completely flipped on its head as she accepted an older Elvis' advances. Somewhat unaware of the position she finds herself in but in the moments of rest-bite Cailee Spaeny plays it perfectly. A feeling of isolation, loneliness and anxiety can all be found solely within her eyes. Subtly making the audience aware of the fear she felt at times. 

The film never explicitly presents Elvis as a villain but yet Jacob Elordi manages to manifest an imposing demeanour largely due to his goliath stature and broad shoulders. A quiet, subdued performance letting definitive actions speak louder than words. There is such a swagger about Elordi, personifying the flair of his 'King' status without the need to detract from his introverted personality. 

The hair and makeup team in Priscilla is one of the best constructed. Transforming twenty-five-year-old, Cailee Spaeny in tremendous fashion. Imagining to seemingly convince the audience that they are watching a 'literal child' onscreen only amplifying Priscilla's sense of naivety, innocence and youthful spirit. All before letting Spaeny blossom into the role with the iconic 'cat-eyes', long flamboyant hairstyles and pale pink outfits. 

Alongside impressive technical aspects, Coppola's direction is great. Illuminating an almost haze-like allure to the screen. The scene involving LSD showcases that more than any other as Elvis and Priscilla derail. 

Priscilla has a fantastic medley of music without the need for Elvis' catalogue. Firmly cementing proceedings within its era. 'How You Satisfy Me' - Spectrum, stands out for the way it translates an orchestral trance into the film. Acting as metaphorical messaging for Priscilla's overwhelming change of lifestyle.